I recently wrote a piece of music that I thought was pretty original, but it turned out to bear a clear resemblance to an already existing piece. While it wasn't exactly the same, and I hadn't heard the existing piece in a long, long while, I was still disappointed in my brain for letting it slip through, and not realizing sooner, especially as it's the kind of thing I regularly notice with other artists.
Take these two pieces, for example...
[from about 0:50 onwards...]
[from the start...
Goblin have heard the Alan Parson's track and incorporated it almost wholesale into their own work, consciously or otherwise. Parson's album came out around the time Goblin were re-scoring the Australian horror picture Patrick for the Italian market, and obviously they liked what they heard.
Conversely...
Here, while not a direct copy, Goblin's music from the 1982 Dario Argento film Tenebre, a track entitled (ahem) "Lesbo", may be an influence on John Carpenter's theme to his 1994 film In the Mouth of Madness.
It features similar pacing and key changes (though Carpenter takes longer to get to the initial drum lead in), and while, as I said, not identical (Carpenter apparently wanted it to feel like, of all things, a Metallica track...), Carpenter's admiration for Goblin is well noted (his Halloween theme is often compared to Goblin's theme for the 1975 Argento film Deep Red).
But then, the Patrick track isn't identical to the Alan Parson's track, just very, very similar. It's clearly a stronger case for plagiarism, should it be argued.
What is my point? Just that it's funny sometimes how the mind works in regard to memory, inspiration, creativity, I suppose. Also, I guess, how far do you have to go to pass "homage" and enter "theft"?
Other examples, either "plagarism" or "homage", should anyone know of any, would be appreciated.
Take these two pieces, for example...
[from about 0:50 onwards...]
[from the start...
Goblin have heard the Alan Parson's track and incorporated it almost wholesale into their own work, consciously or otherwise. Parson's album came out around the time Goblin were re-scoring the Australian horror picture Patrick for the Italian market, and obviously they liked what they heard.
Conversely...
Here, while not a direct copy, Goblin's music from the 1982 Dario Argento film Tenebre, a track entitled (ahem) "Lesbo", may be an influence on John Carpenter's theme to his 1994 film In the Mouth of Madness.
It features similar pacing and key changes (though Carpenter takes longer to get to the initial drum lead in), and while, as I said, not identical (Carpenter apparently wanted it to feel like, of all things, a Metallica track...), Carpenter's admiration for Goblin is well noted (his Halloween theme is often compared to Goblin's theme for the 1975 Argento film Deep Red).
But then, the Patrick track isn't identical to the Alan Parson's track, just very, very similar. It's clearly a stronger case for plagiarism, should it be argued.
What is my point? Just that it's funny sometimes how the mind works in regard to memory, inspiration, creativity, I suppose. Also, I guess, how far do you have to go to pass "homage" and enter "theft"?
Other examples, either "plagarism" or "homage", should anyone know of any, would be appreciated.