Voted. I'm stuck on my phone for the foreseeable future, so please excuse autocorrect. Attempt at feedback follows:
@ Sinitrena: I really liked your first entry ("The Boat") because you established a vivid setting, followed by dramatic action, followed by an unpredictable twist. I gave votes to "The Earth" as well because I liked the moral conundrum the "colonists" face, but I subtracted some marks for some muddled phrasing (the spaceship follows its light - the spaceship is the subject, but the light confusingly didn't belong to it). I also gave votes to "Dragonfight" for the playful language and twist on the typical dragon battle trope. Alas these assets weren't as impactful in the sequels as the reader already knows what's going on.
@ Stupot: I voted for your entry as well because I liked the twist at the end despite the obvious logic that led there. It did feel like adding insult to injury for poor James, however! Poor guy's already being bullied, and now he's going to be strangled to death by his own chin vines.... Top marks for best double-entendre in a title.
@ Mandle: It's a bit frustrating reading your stories and not being able to vote for them. My favourite was "Dragonchase", which had a thrilling epic feel at the beginning, then a grueling feeling in the middle, then a rather hopeless feeling of foreboding towards the end. The twist of reality at the end made it a very thought-provoking story. I also probably would have voted for "The Cure" for a sense of suspense and the best last sentence. I was a bit confused by the overly descriptive language in "The Occupant" as I wasn't entirely certain how it added to the story. "Tim's Cat" was heart-warming in a schmaltzy kind of way, but it didn't really work for me.
@ Sinitrena: I really liked your first entry ("The Boat") because you established a vivid setting, followed by dramatic action, followed by an unpredictable twist. I gave votes to "The Earth" as well because I liked the moral conundrum the "colonists" face, but I subtracted some marks for some muddled phrasing (the spaceship follows its light - the spaceship is the subject, but the light confusingly didn't belong to it). I also gave votes to "Dragonfight" for the playful language and twist on the typical dragon battle trope. Alas these assets weren't as impactful in the sequels as the reader already knows what's going on.
@ Stupot: I voted for your entry as well because I liked the twist at the end despite the obvious logic that led there. It did feel like adding insult to injury for poor James, however! Poor guy's already being bullied, and now he's going to be strangled to death by his own chin vines.... Top marks for best double-entendre in a title.
@ Mandle: It's a bit frustrating reading your stories and not being able to vote for them. My favourite was "Dragonchase", which had a thrilling epic feel at the beginning, then a grueling feeling in the middle, then a rather hopeless feeling of foreboding towards the end. The twist of reality at the end made it a very thought-provoking story. I also probably would have voted for "The Cure" for a sense of suspense and the best last sentence. I was a bit confused by the overly descriptive language in "The Occupant" as I wasn't entirely certain how it added to the story. "Tim's Cat" was heart-warming in a schmaltzy kind of way, but it didn't really work for me.